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The Poem, Film, Song, Painting Series

Monday, September 23, 2024

Issue No. 5

Poet Gregory Orr is pictured from up close in black and white. The man has a gray mustache and wavy, medium length hair, and looks slightly up and away from the camera.

POEM

The River

I felt both pleasure and a shiver
as we undressed on the slippery bank
and then plunged into the wild river.

 

I waded in; she entered as a diver.
Watching her pale flanks slice the dark
I felt both pleasure and a shiver.

 

Was this a source of the lake we sought, giver
of itself to that vast, blue expanse?
We’d learn by plunging into the wild river

 

and letting the current take us wherever
it willed. I had that yielding to thank
for how I felt both pleasure and a shiver.

 

But what she felt and saw I’ll never
know: separate bodies taking the same risk
by plunging together into the wild river.

 

Later, past the rapids, we paused to consider
if chance or destiny had brought us here;
whether it was more than pleasure and a shiver
we’d found by plunging into the wild river.

Copyright Credit: Gregory Orr, “The River” from The Caged Owl: New and Selected Poems (2002: Copper Canyon Press, 2002). www.coppercanyonpress.org
Source: The Caged Owl: New and Selected Poems (Copper Canyon Press, 2002)

Su Li-zhen (Maggie Cheung Man-yuk) on the left, with a warm, yellow light falling on her face and Chow Mo-wan (Tony Leung Chiu Wai) on the right in the shadow, are shot up close in Wong Kar-wai's film In the Mood for Love.
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FILM

In the Mood for Love
(2000)

Chow Mo-Wan (Tony Leung Chiu Wai) and Su Li-Zhen (Maggie Cheung Man Yuk) move into neighboring apartments on the same day in 1962 Hong Kong. Their relationship is reserved and formal, and their encounters often short and polite. A chance discovery about their spouses, however, quickly propels them into an intimate connection that only grows deeper with the passing of time and the fleetingness behind moments.

With an achingly beautiful score by Michael Galasso and visually stunning cinematography by Christopher Doyle, Mark Lee Ping-bing, Kwan Pung-leung, Wong Kar-wai’s In the Mood for Love is both a testament to his masterful storytelling and the compexities of human relationships which are at the core of our existance.

Director: Wong Kar-wai

Language: Cantonese, Shanghainese

Cinematography: Christopher Doyle, Mark Lee Ping-bing, Kwan Pung-leung
Music by: Michael Galasso

Japanese composer Shigeru Umebayashi wearing a black suit and bow tie on the red carpet.

SONG

Yumeji’s Theme (2000)

Album: In the Mood for Love (2000)

Claude Monet's painting The Artist's Garden at Giverny shows an abundance of pink and purple flowers, with light shades of orange and green at places.

PAINTING

The Artist's Garden at Giverny

YEAR:1900
PERIOD: Impressionism
MEDIUM: Oil on canvas
DIMENSIONS: .816 m ×.926 m (32.1 in × 36.5 in)
LOCATION: Musée d'Orsay, Paris

 

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