top of page
DSC_2049.jpg

The Poem, Film, Song, Painting Series

Tuesday, October 29, 2024

Issue No. 8

Poet Sharon Olds wearing a black poncho. Her long, white hair falls in contrast over it.

POEM

Mathematical Love Poem, with a Proof

I am on the plane, in the air, before I
see what just happened—I fell in love
with him, again, in the car to the airport.
It happened sentence
by sentence, slowly,
like pick-up sticks. As a child, I would lay one
atop a precarious nest of its fellows,
and then another. With Carl, you don’t
know when he’s going to feel insulted,
and get mad at you. But now I had said,
“The math in graduate school—was it real,
or theoretical?” “What do you
mean?” “Well 2 apples plus 2 apples is 4 ... ”
“It was all theory,” he said, “but it had to be
proved true, to be used for things,
like physics.” And for the first time,
he tells me about his prelims, and the summer
before them. “It’s a different world,” he said,
“I dreamed numbers.” And when was that,
I asked, in relation to your buying the farmland
with your uncle? Gradually we moved through time
and space. And your uncle’s death?, quiet
but not hesitant. We pass something—
not a planet, a hill. Six years,
and he is willing to fill me in, without that
impatience as if I should have known.
He drives over a river, past piles
of autumn brush, like wood rat nests
of pick-up sticks—
sticks that at the speed of light would be
measurably longer. I love the way
his palms face backwards when he walks, with that cattleman
walk—and the curls at his nape, black
and silver-shot. I love his thick
neck! And the way his 3 o’clock shadow can’t
be told from the dirt he has been working in.
When he looks at the stone ledge, which he has been
baring, in memory of his brother, over months,
I feel as if his mind is making some
kind of earthen love with it,
I see him, in my sleep, embracing it,
throwing it up onto his back—
a song made of numbers, he carries it,
and I dance with him as if born to it. And I was born to it.

Copyright Credit: Sharon Olds, “Mathematical Love Poem, with a Proof”
Source: Poetry
(April 2023)

Marcello Mastroianni on the left, wearing a black suit and tie and Monica Vitti, wearing a black gown in Michelangelo Antonioni film La Notte
Marcello Mastroianni on the left smokes a cigarette wearing a black suit and tie, and Jeanne Moreau on the right, wearing a black gown with straps, sit beside each other in the film La Notte.

FILM

La Notte (1961)

Michelangelo Antonioni’s La Notte, with its psychological acuteness, moody, sensual cinematography by Gianni Di Venanzo, and strikingly expressive performances by Antonioni’s muse Monica Vitti, Marcello Mastroianni, and Jeanne Moreau, is an indelible portrayal of romance, social deterioration, and the complexities of marriage and relationships.

 

The film follows star writer Giovanni Pontano (Marcello Mastroianni) and his wife Lidia (Jeanne Moreau), who, in the span of one night, have to confront and accept their estrangement from each other, and the emptiness of Milan’s bourgeois circles.

 

A follow-up to L’avventura (1960), La Notte is one of Antonioni’s best modernist works.

Director: Michelangelo Antonioni

Language: Italian

Cinematography: Gianni Di Venanzo

Music: Giorgio Gaslini

Musician Aphex Twin looking diretly at the camera while being photographed in front of a patterned background, with a strand of his hair falling over his eye.

SONG

aisatsana

Album: Syro (2014)

Egon Schiele's painting Black-haired Man, Sitting.

PAINTING

Black-haired Man, Sitting

PERIOD: Art Nouveau (1883 - 1914)

DATE: 1909

MEDIUM: Pencil, India ink with brush, watercolor on brown paper

DIMENSIONS: 31.7×31.5 cm

COLLECTION: Leopold Museum, Vienna, Inv. 1385  

bottom of page