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BETWEEN US AND by Anne Carson

Updated: Jul 9


profile of the poet anne carson
Anne Carson | photo by Peter Smith

BETWEEN US AND


BETWEEN US AND

animals is a namelessness.

We    flail    around

generically      —

camelopardalis    is   what

the Romans came up with

or  "giraffe" ( it looked to

them  like a camel crossed

with a leopard ) or get the

category wrong — a musk

Ox  isn't  an  ox at  all but

more closely  cognate with

the   goat —  and   when

choosing   to    name

individual  animals  we

pretend  they  are   objects

(Spot) or  virtues  (Beauty)

or  just  other selves  (Bob).


Anne Carson, "Between Us And" from Red Doc>. Copyright © 2014 by Anne Carson.






Short Talk on Pain


Lawns and fields and hills and wide old velvet

sleeves, green things. They stretch, fold, roll away,

unfurl and calm the eye. Look lush in paintings.

Battles are fought on greens. Or you could spread

a meal and sup. How secretly they lie, floors of

distant forests. Next comes the grave, in many a

poem about green. But this is not a poem. This is a

billboard for frozen green peas. Frozen green peas

are good for pain.


Copyright © 2023 by Anne Carson. Originally published in Poem-a-Day on August 25, 2023, by the Academy of American Poets.





O Small Sad Ecstasy of Love


I like being with you all night with closed eyes.

What luck—here you are

coming

along the stars!

I did a road trip

all over my mind and heart

and

there you were

kneeling by the roadside

with your little toolkit

fixing something.


Give me a world, you have taken the world I was.


Copyright © 2020 by Anne Carson. Originally published in Poem-a-Day on December 10, 2020, by the Academy of American Poets.






V. Here Is My Propaganda One One One One Oneing On Your Forehead Like Droplets of Luminous Sin


Like many a wife I boosted the husband up to Godhood and held him there.

What is strength?

Opposition of friends or family merely toughens it.

I recall my mother’s first encounter with him.

Glancing


at a book I’d brought home from school with his name inscribed on the flyleaf

she said

I wouldn’t trust anyone who calls himself X—and

something exposed itself in her voice,

a Babel


thrust between us at that instant which we would never

learn to construe—

taste of iron.

Prophetic. Her prophecies all came true although she didn’t

mean them to.


Well it’s his name I said and put the book away. That was the first night

(I was fifteen)

I raised my bedroom window creak by creak and went out to meet him

in the ravine, traipsing till dawn in the drenched things

and avowals


of the language that is “alone and first in mind.” I stood stupid

before it,

watched its old golds and lieblicher blues abandon themselves

like peacocks stepping out of cages into an empty kitchen of God.

God


or some blessed royal personage. Napoleon. Hirohito. You know

how novelist Ōe

describes the day Hirohito went on air and spoke

as a mortal man. “The adults sat around the radio

and cried.


Children gathered in the dusty road and whispered bewilderment.

Astonished

and disappointed that their emperor had spoken in a voice.

Looked at one another in silence. How to believe God had

become human


on a designated summer day?” Less than a year after our marriage

my husband

began to receive calls from [a woman] late at night.

If I answered [she]

hung up. My ears grew hoarse.


How are you.

No.

Maybe. Eight. Can you.

The white oh yes.

Yes.


What is so ecstatic unknowable cutthroat glad as the walls

of the flesh

of the voice of betrayal —yet all the while lapped in talk more dull

than the tick of a clock.

A puppy


learns to listen this way. Sting in the silver.

Ōe says

many children were told and some believed that when the war was over

the emperor would wipe away their tears

with his own hand.




Copyright Credit: Anne Carson, "V. Here Is My Propoganda One One One One Oneing On Your Forehead Like Droplets of Luminous Sin" from The Beauty of the Husband. Copyright © 2001 by Anne Carson.

Source: The Beauty of the Husband (Alfred A. Knopf, Inc., 2001)






 


 

Woman in a black tank top holds her head with one hand in a pensive pose. Blue tint and white background create a somber mood.

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