
THE POEM, FILM, SONG, PAINTING SERIES
Monday, November 18, 2024
Issue No. 9

POEM
Love Song
Translated by Stephen Mitchell
How can I keep my soul in me, so that
it doesn't touch your soul? How can I raise
it high enough, past you, to other things?
I would like to shelter it, among remote
lost objects, in some dark and silent place
that doesn't resonate when your depths resound.
Yet everything that touches us, me and you,
takes us together like a violin's bow,
which draws one voice out of two separate strings.
Upon what instrument are we two spanned?
And what musician holds us in his hand?
Oh sweetest song.
Love Song (1907) © Rainer Maria Rilke
Copyright Credit: Rainer Maria Rilke, “Love Song” New Poems


FILM
The Piano (1993)
Ada (Holly Hunter) is an electively mute Scottish woman who expresses her deepest feelings through her beloved piano. When an arranged marriage brings her and her daughter (Anna Paquin) to the wilderness of nineteenth-century New Zealand, she develops an intense, forbidden attraction to a rugged frontiersman (Harvey Keitel). Torn between him and her controlling husband (Sam Neill) Ada begins her journey of awakening.
Jane Campion’s The Piano is a sublime story of desire, passion, and creativity. With a sensuous, moody cinematography by Stuart Dryburgh, riveting score by Michael Nyman, and dramatically beautiful coastal landscapes, the film made her the first woman to win a Palme d’Or at Cannes.
Writer: Jane Campion
Director: Jane Campion
Language: English, Māori, British Sign Language Cinematography: Stuart Dryburgh
Music by: Michael Nyman

PAINTING
Self-portrait with Necklace of Thorns
PERIOD: Naïve Art
DATE: 1940
MEDIUM: Oil on canvas on masonite
DIMENSIONS: 61.2 cm × 47 cm (24.11 in × 18.5 in)
LOCATION: Harry Ransom Center, Austin